Tecknophyle wrote:Now that's what I'm talking about.
From my particular standpoint, the entire "Chain Reaction" storyline has been great: you've got the fetishes and sex scenes, but you also have a fairly deep story with stuff happening that matters, you've got characters displaying skills and abilities indicating that they're more than simply women wearing costumes who's only point is to be a victim of J. Random Badguy, you've got a villain worthy of the title, and good guys starting to make their comebacks not from dumb luck but from their own efforts. And not just fighting: Kitten's insight into Dawn's true status being a prime example.
Very, very nice work.
sohta123 wrote: I also feel that (and no offense to Ishtar or any of the characters portrayed) many times the hero is just plain too powerful or has too many resources at their disposal. Superman has alway been one of my favorite characters but many times he can too easily turn back time or move mountains of kryptonite or push the planet out of the way of a giant obstacle, etc. Or the character is like Batman and can pull a can of 'Bat-Shark-Repellant' out of his helicopter or like Henry Pym (marvel) and can materialize a weapon that he has in a 'pocket universe' always close by. To me those things are easy outs for writers who run out of ideas.
How Miranda managed to stop the mannequinization process, if Von Ick told her that there was formula for a few years?
Does this mean that Violet could be turned in a mannequin in any moment?
What does Von Ick means with “She clearly takes after her mother” at page 8? Is he referring to the biological mother, or anyone else entirely?
What happened to Agent Cross when Von Ick left her?
Is Clarissa / Miranda gaining a “spider sense” or something?
Where did come from fifteen and why is she channeling the Hulk?
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